london modular alliance is the raw and unpredictable music project from the uk’s best known, dedicated modular synth shop london modular. its members simon lynch, phil ventre and gavin pykerman met through a shared passion in modular synthesisers. impromptu gatherings and jams soon turned into live performances at clubs, festivals and museums. from the hushed environs of the tate modern and v&a to vast sweatboxs such as fabric, bloc, freerotation, weather and berghain, london modular clearly have a flair for all things modular. this year sees a return to bloc weekender as well as new adventures at festivals such as dekmantel. they create an intense live show with a huge setup of self-assembled modular gear. every set starts with one small looping beginning – a patch – and is expanded into a deep sonic landscape. with the use of cables they build unexpected circuits and explore the power of pure electronic sounds without the use of a digital software infrastructure. no laptops, no button pushing, everything is created on the spot using modular synthesizers and is based on live improvisations. overall lma tries to keep its live sets in the dark: unrecorded, off the internet and only for those who are present in the moment. a clear break with the capture-all mentality of the internet age.

long awaited 2016 repress! a collection of four deep, warm and fuzzy house tracks by outplay co-owners daniel leseman and junktion. while both daniel leseman and junktion are showcasing their individual talent on the release, their new collaborative project fouk sees the light of day for the first time! influenced by the soulful house sounds of old chicago and detroit, this vinyl debut from outplay shows you what they re all about.

star creature presents this 5 track ep from japan’s city baby records done by tokyo based future funk masterminds liquid pegasus (include members of star creature’s freakway). slick and stylish boogie sounds that mix minneapolis with japan. “on what i actually do”, future funk masterminds liquid pegasus (includes members of freakway) infuses their spacey, boogie-laden take on the minneapolis sound with a pronounced japanese influence. “heavy sounds” features a few choice solo’s from star creature recording artist e. live. the songs are a hot bed of twangy jazz-funk riffs, slappy bass, slick, tight drums, sexy guitar licks and shiny, bendy synthesizers. awesome.

novoline makes music with equipment that was manufactured in 1988 and 1989, controlled via midi by two atari sts. as a sequencer he is using an algorithmic composition program that is 25 years old. with this program he creates sequences that he modulates live by shifting numbers and settings while recording. the process is improvised and contains a good portion of randomly generated melodies and drums, carefully selected and combined by novoline. the result sounds a little like something between a dark 80’s sci-fi soundtrack and an endless marching new beat extended version.

keeping with the rough release rate of an album every couple of years, prime numbers label boss trus me is back with his fourth full length, planet 4. featuring nine cuts of intergalactic techno and once again marking a considerable sonic evolution for this acclaimed uk artist. never one to do the same trick twice, david james wolstencroft uses his latest album as a vehicle for his own interest in deep space, physics and dark matter. it is those subjects that have occupied his mind in recent years, and those subjects that inform this brilliantly otherworldly album. where previous lps have variously been funk and soul heavy, or openly analogue and physical, this one is a more subtle and supple techno affair that is as cerebral as it is seductive. starting with a monologue that suggests that man has already landed on mars, 1979 is a cut that immediately places you somewhere in orbit. spooky synths and sci-fi sounds are eerie and atmospheric and very much set a perfect tone. from there, there is slow, elastic and unsettling mood music on the unexplained , deep and insular techno on dark flow and trippy dan bell style minimalism on ring round heart . the second half of the lp touches on chunky dub, manic and melodic grooves. this is a coherent statement that holds together conceptually and musically. as well as providing plenty of dynamite for the more discerning dance floor, planet 4 is also a delightfully detailed affair that will work just as well on headphones late at night.

the schwerin based label pure is back for the 6th release and brings a powerfull 4 tracker on the table. the mystical >schelf< comes up with 3 originals full of technoid and dark sounds structures but also toolish tracks aiming totally on the floor. orion added a very deep but straight remix to the package. serious stuff. vinyl only.

“the earth was incessantly covered in ice, it’s landscape an immense, frozen desert. boulders and sand washed to the valley, crushed under the glaciers’ enormous weight, leaving nothing but the hardest rock behind.” neunau draws inspiration from natural phenomenons, sculpting his indelible and furious expression into materials: a ritual guided only by the rhythm of his own heartbeat. composed exclusively of sounds recorded at the ancient forge museum in bienno, in the middle of one of the largest valleys in the central alps, neunau presents an experience that goes beyond simple listening. his tools — water, iron and microphones — are used to transport the listener through time and place. a true voyage through forgotten ritualism and symbolism, these extracts aim to grind contemporary dance music to its barest essentials, making long-lost times ours again.

own a piece of crucial skrs history! the recording that set the foundation: the undeniable sounds of yardflex - inna 45!
instantaneous minimalist dub teleportation, version deeper excursion, internal circuitry reconfiguration. a timeless classic once thought lost resurfaces, ever-couched inna mysterious expanse, incited by the obeah-man chant.

aus music exultantly welcome a fresh signee into the fold in the form of extolled and accomplished producer recloose. with a 12inch that marks the end of a three year production intermission, the planet e and rush hour great readies‘honey rocks - a glowing three-track ep that demonstrates the unwavering talents of a producer with 20 years experience in the game. having entered a new phase of his career in 2014 propelled by a move to brooklyn, the nomadic producer continues to develop a hugely impressive discography thats included remixes for herbert, motor city drum ensemble, funkadelic and mj cole as well as four full-length lps and numerous eps on labels such as peacefrog, planet e and sonar kollektiv. honey rocks brings together three deftly structured dancefloor tracks. all as jubilant and groovy as each other as soul, funk, disco and classic house sounds are melded with ineffable flair and skill in a record that reaffirms aus musics status as a label capable of not only maintaining consistency but also keeping listeners guessing.

qnd philosophy starts with a new project from veteran cosmic disco originator daniele baldelli and his long time partner in crime marco dionigi. the two gents will take us into a spaced out galaxy of sounds. so sit back. fasten your seat belts and enjoy the trip. daniele baldelli (baia degli angeli/cosmic) considered worldwide as a truly innovator for his cosmic style trademark a mix of african music, disco, psychedelic rock, krautrock and dub, often played at the wrong speed, hes a very active dj and respected artist. marco dionigi resident dj of top italian club alterego since 89. besides being the mastermind and founder of quantistic division/qnd philosophy labels. he is a popular dj and and experienced producer key releases baldelli & dionigi cosmic disco? cosmic rock! (eskimo recordings) baldelli & dionigi the units remix high pressure days (opilec music) baldelli & dionigi adaptors the music of richard bone cd (prismatikone records/word and sound) baldelli & dionigi phil manzanera caracas - mental remix (ln/cc recordings) baldelli & dionigi museum of love remixes (dfa records)

sexazoid, a name that we’ve seen in writing on the streets of stockholm now finds its way to the world of music, with synthetic sounds from a metal chamber dripping with pheromones. fine acidic house sleaze!

computer controlled records is a new vinyl only label from belfast, northern ireland encompassing the raw analogue sounds of chicago & detroit style techno, house and electro keeping a diy ethos with screen printed sleeves. get the first 2 releases from mark forshaw and chris moss acid for a special price!

credit 00 strikes back with four cuts between jungle funk and sublime party bombs. -tribal rhythm machine- starts off with subtle but effective drumming that works on the dance floor as much as it could be the soundtrack to your road trip to utopia. then there is -curse of the medusa-, a pretty rumbling track that takes full advantage of its super-funky vocal samples and almost explosive percussion action. -voodoo soup- fishes in muddy waters with credit 00 s distinctive drum work and tribal sounds from outer space. the final track -snake charmer- is building things up nice and steady. but when the hypnotizing synth melody breaks ground neither serpents nor dancers can resist. the artwork was created by alexander dorn a.k.a. credit 00 himsel

after his turn in conga radio, roberto makes his debut on good timin with four-tracks of classy bangers. leading the charge is the shuffling -junk rudder,- a piece of flanged out club gear that has the grace and grit to take any party to -that next level.- meanwhile, -atomic- is a not-quite peak-hour stomper, while -oceanic- is the sound of goa trance if the drug of choice was high-end coconut water. finally, -twilight- sounds like something bruce hornsby might cook up if he got arrested and could only talk to his lawyer through a broken moog.

one of the many delsin off shoots welcomes fast rising shlomo to the fray for a new ep featuring three singular originals and one excellent remix from artekfakt. the taapion records boss has previously released on wolfskuil and bright sounds and here serves up some truly sumptuous space techno. the artefakt remix is actually a collage of all three shlomo originals and is a suspenseful, hypnotic and sublime techno roller that carries you tiny another dimension. this is perfectly heady music for cerebral dance floors.

for its ninth installment fasten musique welcomes mysterious french artist monsieur georget from ultrastretch, do easy records and the 2 remixes are served by 2 talented producers. one is the new york based phenomenon kamran sadeghi is known for his work with son of rose and with soundwalk collective and anther is italian artist third_child is a new project aimed to mix sounds micro-house and house music. all tracks are a representation of the artists personal take on finely crafted grooves and sound designed elements. vinyl only release

padre himalaya s first release sees renato step up to the plate: a young producer from lisboa gracing us with his debut ep. the ‘alo alo’ ep contains 3 organic groovy tracks with a slightly sense of humour which marks the identity of the renato project. super fresh sounds from portuguese underground that comes highly recommended!!

edits is back with another release made for the floor.hip house party anthems sounds a bit cheesy but this is exactly what the tracks do when played on a proper sound system. these tracks were never meant to be released and couldonly be heard on the floor at the right place at the right time. but since reactions were always so overwhelming these tracks are now released for everybody to enjoy. the a-side features original tracks from amsterdam cool kid tommy theo (this is his first release)and label founders latelier. ...

swiss dj & producer, mirko loko, continued to indulge in his intergalactic persuasions on last years long player comet plan. released on cadenza, mirkos second album was enthusiastically received and picked up many fans for its collection of blissfull and wide-eyed electronica and techno sounds. featured guests on the album included dops vocalist, jaw, and francesco tristano.

morah’s first release came from helena hauff’s return to disorder label and this time the athenian producer takes the same techno and electro sound and goes completely berserk for berceuse heroique. morah creates some huge waves of feedback on anarchy, which sounds like a techno version of metal machine music, then he takes the old school viewlexx sound and makes it even more confrontational, on you said no and impasse. looking back is a beautiful, melancholic - but still very dysfunctional - version of the death of a rave. one of the strongest points of this new producer is that his music sounds like the city of athens right now: raw energy mixed with manic depression and pessimism.

four multi-purpose, innovative tracks from the assemble music family. mike shannon takes the pace right down on pimp limp to stunning effect, weaving together tweaked pads and a deep, tripping bass with the tightest of drum sounds, developing an irresistible, effortless groove. aloe varu (aka dan andrei) takes the shuffle up a notch on shifty, evoking classic herbert with cut-up jazz samples and bumping, stop-start percussion. nicola kazimir nods to another master, jan jelinek aka farben, on reductive ford, channeling the latters contemplative, intricate and emotive programming. finally voigtmanns muff shuffler does, well, exactly that, shuffling along with a minimal vibe enhanced with fine atmospherics.

ext returns with his follow up to the third installment of house shoes reputable “the gift” series with “arts & craft”. ext cleared off his desktop about a year ago and sent me everything he had been working on. all of the tracks were in various stages of development. some loops, some fully fleshed out, some sounded like sketches. it drew my attention because of the resounding innocence of the collection, an innocence that is more or less gone from the industry in 2015. listen and learn what it sounds like to just have the intention to create, not muddled with the star aspirations or big money dreams. just to create.

loose fits has landed kicking off with this superb collaboration from jay shepheard, kito jempere and pete herbert. these three artists need no introduction and between them are releasing music on a diverse range of labels including lets play house, freerange, retrofit, dirt crew, running back, futureboogie, maxidiscs and many others.
here they drop 4 heavy dance floor cuts featuring a prefect blend of their trademark sounds, combining deep melodic themes with rugged percussion and bass, all mixed for great club effect. watch out for more from us soon!

it’s time for another prruk sampler. prruk104 combines four of the names that have circulating through the label s discography in recent times. for the a side we have self reflektion label owner stranger with a peak time warehouse anthem called “thinner” which uses heavy syncopated percussion sounds which dominate the whole track. for the a2, hans boufffmyhre comes up with a distorted bit of techno action that will definitely turn some heads. london based jamie haus opens up the b side with a psychotic anthem whilst ear to ground head honcho gareth wild closes down with a more emotional rave cut.

2016 repress!! moustache techno is a new techno house orientated sublabel moustache records. and is there a better way to start with a release by de gesloten cirkel that took everyone by surprice last year with the great murdercapital twelve! mtechs001 delivers dancefloor shattering bass that will drive your party wild with sounds coming from crowded subways of moscow, dirty korean discos and mythic chicago basements. hypnotic, raw and direct machine funk that reminds a bit of early bunker releases of unit moebius

2016 repress , legendary deeply rooted house records comes with a new serie releases called rootstrax. first ep is by a mysterious french artist that remains unknown for now. however, the listener that knows a bit about the french house music history can easily define the roots of the producer (not saying he can point out who he is :-) the influences of early 90s fcom/fnac sound is present combined with some classic chicago house... this is exactly the concept of rootstrax. interesting concept and cool record that makes us wonder if this has been dome by an old fox or a young puppy producer? for sure this sounds very mature and delivers 12inch extraordinaire!

transhumanism ep is a combination of ethereal and angular sounds, but with many points of reference concatenated between them. starting from the side a, if methodical ear has as its base, a rhythm with an incipit house, but with edgy sounds always in progress, shadow manipulation of mind looks at an utopian techno, together a dense and obsessive hypnotic groove. instead, in the b-side, synapsi sonora-, presents a classical structure, but with kick and snare somewhat in the foreground, with low, evolving, sick and stifling pads in their concept of low-fi timbal. state of induced hibernation is an alien traces in his gait metal percussion and sharp synth, make a song to say the least harsh and unwilling to be defined and confined to specific genres, as in the complex is all this project for ambiwa records.

volume two of a two-volume twelve-inch set featuring tunes from eamon harkin and justin carters mix cd,weekends and beginnings. this volume features a neo-chicago house masterpiece from ike release, a slice of classic mister sunday gospel house from jasper street company, and motor city drum ensembles hypnotic rework of caribous leave house. the twelve was mastered by the ever extraordinary matt colton, and it sounds great!

holiday 80s sophomore whiskey disco ep exhibits the upward trajectory of the mysterious polish duo. their first ep showcased slower, smoother sounds, whereas these four songs showcase the grittier side of polish music, one slightly less fashionable, until now. each song is dance-floor-proven to turn out. from the sexy psychedelia of truncheon man and male jeziora to the left-ward jazz house of juhas zmarl and fm cool of letnia milosc. many wd buyers thought their first ep to be finest record on the label, get mokotuff before it s gone too.

alex aq constructed “don’t break” and “shake it” as a reflection of the sounds heard at the club. pounding drums, rhythmic, scattered synths, white noise, and choice vocal snips that send you into a trance are the core characteristics of both tracks created by the cubanmeister.
on the flip, myles serge of knotweed records and his own label (ms) remixes “don’t break it”, taking it in a trippy direction, with 808 drums and dreamy stabs that sound fresher than ever.
last but not least, lpz’s own techno duo p. lopez & octavio take “shake it” and turn it into a techno monster consisting of heavy stabs and an undeniable groove.

kicking off this four track ep is one of yuri s most dynamic productions to date. wildly oscillating synths and snapping handclap-led house beats drive east west connection , while what starts out as an acid synth shifts through a cycle of changes before evolving into a detroit-style riff. both nervous arp and morning at home take the same palette of sounds into much deeper territory, touching base with electro funk and straight up jazz-fusion, highlighting yuri s versatile musicality and distinctive production style. modular is an older track of yuris - a non-stop ride through wonky, synthesized fusion with hypnotic keys and rolling drums.

vilena records is 5 years old and decided to celebrate with its first vinyl with 4 tracks. side a is characterized by dub sounds and two tracks: the first one by matt star, german artist who manages repeat music and has productions on labels such as cocoon records, kling klong and many others, the second track is by alex veronesi and paolo mosca aka rejekt. side b is composed of two tech house tracks: the first is by stan garac, spanish artist class 83 that has collaborate with labels like viva music and hall of fame, while the second track is by one of the greatest artists of vilena records, massimo pozzi aka max (italy).

2016 repress , cosmic sounds of tokyo meets the tranquillity of nordic house music! aniara continues their sweet label with a guest release by auji from tokyo! two cosmic house trips into space that comes with an additioanl remix by the aniara guys thats adding a little spice and extra punch for the dancefloor! killer combo!

italian producer and be free label head jäger makes his debut on underyourskin records with a haunting ‘mystical journey‘ that turns out to be a playful minimalistic techno approach in the beginning, before evolving into a dark synth driven and more techhouse dominant tune gaining its dancefloor eligibility with a heavy baseline. louis kolben, part of agents of time, takes on the technoid approach to create a wobbling stomper that could easily tear in any location it is played at. ‘mizar‘, the ep‘s second track, partly connects with regards to content to ‘mystical journey‘ but focussing merely on that dreamy aspect that claims its listeners and leads one to a state of trance. steffen sonnenschein builds up the track slower to delay its peak that hits heavily when the synth sounds are let loose and set the pace throughout the end.

barrott manages to create a new landscape within our own senses, using sounds of the island, his rural habitat in ibiza is reimagined in our mind s eye to create the ultimate utopia

romanias snejl black teams up with qindek for its 4th release. what we get are 3 tracks, carefully sculpted, ultra-pure visions of techno. each is thoroughly uncluttered, and given just enough color to be compelling. simple kick drum, undulating sounds that provide something distantly related to melody, and very subtle backdrops that pair a soothing hiss and quiet drones. nothing is superfluous, everything is essential.

eyes of mine is a series of live studio jams by george fitzgerald. eyes of mine is stripped back music made with anything that sounds good. eyes of mine is for the dancefloor, not the backstage. dj support: richie hawtin nicole moudaber wehbba nat zombie disco squad hector romero gerd kaiserdisco luca c joseph capriati alan fitzpatrick adam beyer maceo plexx

limited to 300. a fourth vinyl release for london label bleed, and a first full ep from new jersey based dj spider, who runs plan b and sublevel sounds, and has also released on the trilogy tapes, killekill and nord, occasionally in collaboration with phil moffa, marshalito and franklin de costa. spider also featured on the most recent bleed release, providing a remix for volte-face s all grown up ep. this release, burning museums , is said to -represent the loss of knowledge of mankind by the modern scientists who are destroying ancient texts in their attempt to erase history-. a tough, direct yet heady ep, burning museums features 4 spider originals, 3 primed for techno floors, and 1 ambient excursion. there s also a remix by bleed boss, volte-face. eatly support from svreca, dj nobu, daniel avery, tripeo and zadig.

special remarks : 180g vinyl, fullcover.
the fifth release on our lehult imprint introduces the unique sounds of yet another talent from our crew. after already appearing on our third release, the 8040 ep is dj assam’s first full length release, that showcases his deep and textured productions. in between slightly skipping grooves, atmospherical chords and thumping basslines, dj assam manages to create a atmosphere that offers just the right tension between seductive warmth and dark melancholy, between intimate proximity and distance, between uplifting groove and thoughtful introspection. it comes in a beautiful full-cover showing the deep forest of lehult, as visual counterpart to the sounds of the ep.

loved by the robsoul community for his beats from the streets series, the san jose resident first appeared on the label back in 2012 with a trio of tracks that made up vol.1. two more collections followed and firmly established arturo as one of the labels most exciting talents.a label boss himself, arturo is seen as having helped define what is known as the silicon valley sound. his own blend of beat-laden house infused with elements of soul, funk and disco has seen him become a favourite the of sneak, farina and weeks.arturo rolls out fabels of funk and frolics on the storytelling ep, lead by the low-slung swing and diva sounds of ‘another day’. the pummeling kick drum of ‘deep inside of you’ jumps up and slaps us round the face, followed by the bumping title track with its deep chime and floating flute melody. the final tale in this story is the guitar-licked, bass-slapped wonder of ‘delight’

they are lovely, they are juvenile, they are dirty from playing in lifes playground, they create blissful sounds full of light that shines with a gangsta groove shaking your reality and guiding you, empowering you towards love, kindness and gratitude.

it’s been a while since planet rhythm released an entire lp project. who else to thread into album territories than ukranian planet rhythm stalwart yan cook. after releasing various efforts through the rotterdam based imprint over the last few years, yan cook comes up with a double lp consisting of 2 discs with 2 tracks on each side. whilst shifting between various sides of the yan cook identity the xx lp proves to be an effective and bulding package over mechanic techno sounds with strong builds and exciting taints of fx.

ostgut ton reissues the final zehn of zehn with original tracks by etapp kyle, marcel fengler with elif biçer, and steffi. 2015 marked ostgut tons ten-year anniversary, celebrated with an extensive 30 track compilation release, titled ostgut ton | zehn, spread out over ten 12inch vinyl records housed inside a limited box set. this sampler sold out in no time, which is why ostgut ton is re-issuing these ten 12-es individually in 2016. all good things must come to an end, and so does this label compilation with its final re-release. long-time ostgut ton collaborator elif biçer lends her tantalising vocals to marcel fenglers uk-spirited, breaky and dark beats, with, vocals and lyrics aside – its open snare drum roll, the brazen sounds and seething bassline being the most distinctive elements of fallin on a. on the flipside up-and-coming etapp kyle opens b1 with blistering bleeps atop a solid kick, brushed percussion and surging, subtly atmospheric synth pads. there arent many producers as productive as steffi is: löweborschtel continues her past electro-influenced releases on b2: bouncy and rhythmic, moody yet spot-on, dreamy while fierce. to the next zehn years!

schwefelgelb is the electronic music project of sid & eddy. having carefully straddled the boundaries between techno, ebm and electro, the duo is entering 2016 with a 12” release on the new label incarnation of the berlin based fleisch collective. fleisch consists of a group of miscreants known for throwing some of the best curated dark underground dance parties in berlin, with a focus on sounds ranging from e.b.m., new beat, acid to techno. the metamorphosis of fleisch into a label could not demand a more fitting debut than schwefelgelb’s newest sonic discharge. tight programming, catchy analog synth-bass coupled with well utilized & frenetic shouted vocals echo the golden age of electronic body music. a refreshing progression of sounds moves the style forward without being afflicted with the formulaic and hollow tendencies befallen similar attempts by others acts over the years.

we started ‘the classic series’ featuring tracks that we love, bought, played out and which we have the feeling more people should know about them. for this fourth release, it is a great honor for us to welcome such a living legend, a pioneer from the chicago house & techno scene: roy davis jr. this project includes three very rare cuts and timeless moments of deep chicago house.
on a side: ‘i’m tha d.j.’, released in 1995 on kumba records + ‘under tha sun’, released in 1995 on downtown 161.
on b side : modal (woody mcbride & david stevens) ‘lovers’ remixed by roy davis jr. & dj skull. a massive, rare, and very demand track, previously released in 1996 on sounds (subdivision of communiqué). our favorite secret weapons, a real masterpiece of deep tech chicago sounds. enjoy !

edo is a personal view over the modern asia, japan in this case. inspired by the street sounds and bugged out day to day world of tokyo his debut ep is four tracks of slippery head music. chiseled from the deep seams of an intergalactic mine and informed by the dark heart of house and no wave disco this is club music from the oily underbelly.

nice price deal !!! the escape series proudly presents the next slice of wax featuring 4 brilliant artists and their stunning sounds. first up is a fresh cut from the americanborn veteran elbee bad, >supa kewl<. the track draws its energy from a bustling percussive atmosphere, pulling inspiration from the depths of tech, house, and a rich history of musical expertise. carrying the torch further, duererstuben drops another dancefloor-mover titled >tush & harsh<. the track plays just about as you’d expect from its titling, making for an extraordinary dance track full of deep groove and a thick atmosphere to bounce the night away. rising suns takes an afterhour atmosphere and throws is thick groove under it, giving a glorious euphoria as >flying in the wind< turns out to be the perfect title. and finally, freund der famillie crafts a breathtaking journey into dub-tech territory. >grand rue< holds back in its delivery, slowly dripping onto itself and its true, brooding form.

following the great ep from doomwork, italy strike back with the duo reform! two guys who joined their mind together to create music, testing new electronic paths, playing with external machines to creates their own sounds, after only one release and one track on a compilation you can see that the duo have a lot to say into techno. reform bring here with “chaotic dimension“ a very complete release who take from techno madness with chaotic dimension to deep techno for extremis passing by a super funky vibe for dancewear with this vocal who drives you, to end with treasure who deliver a mind blowing experience.

in the past, berlin-based djane miss dica showed with her releases on third-ear-recordings and auftakt records her talent for modern electronic music . now, she opens a new chapter with her new label radio productions and proves that, besides groovy tech-sounds, she is also capable of more harmonic productions. in her first release „out of blue“ of her new label, melodic sequences melt together with analog sythesizers. together with her vocals it creates a new signature sound. as external support remixes from the two well-known artists rené bourgeois and lars wickinger complement this release. all in all it is a very colorful release in which everybody will find his favorite.